March 2010

Taking the Temp of SXSW 2010

Steven Abrams wonders if SXSW 2010 premiered Oscar's best picture, as it did in 2009.


A still from the acclaimed <i>Thunder Soul</i>.

This year's SXSW did not disappoint The Independent's Steven Abrams. Just in case you couldn't make it to Austin this year, he gives the low-down on which films grabbed coveted audience buzz, and which took home awards.

The fact that Kathryn Bigelow's The Hurt Locker made its US premiere one year ago at SXSW upped the intrigue this year, prompting me to wonder if one of 2010's 134 features or 126 shorts would achieve that rarefied status.

Best of New Directors/New Films 2010: Shorts

Kurt Brokaw reviews his favorites from the longstanding collaborative festival between The Film Society of Lincoln Center and The Museum of Modern Art, screening March 24th-April 4th.


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Expect familiar logos to do the unexpected in <i>Logorama</i>.

Logorama, Quadrangle, and Looking At Animals make Kurt Brokaw's cut for the best of the shorts at New Directors/New Films. Common denominator: they open fast and strong. Brokaw adds a final note regarding the importance of attention-grabbing opening scenes here.

Best of 11 Short Films from New Directors/New Films

Logorama
(H5: François Alaux, Hervé de Crécy, and Ludovic Houplain. 2009. France. 17 min.)

Best of New Directors/New Films: Bill Cunningham New York

Kurt Brokaw reviews his favorites from the longstanding collaborative festival between The Film Society of Lincoln Center and The Museum of Modern Art, screening March 24th-April 4th.


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NYC through an irreplaceable lens: that of <i>Bill Cunningham New York.</i>

Bill Cunningham New York
(Richard Press. 2010. USA. 84 min.)

Best of New Directors/New Films: Samson and Delilah

Kurt Brokaw reviews his favorites from the longstanding collaborative festival between The Film Society of Lincoln Center and The Museum of Modern Art, screening March 24th-April 4th.


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Life in the bush for two petrol-dependent teens in <i>Samson and Delilah</i>.

Samson and Delilah
(Warwick Thornton. 2009. Australia. 101 min.)

Best of New Directors/New Films: The Evening Dress

Kurt Brokaw reviews his favorites from the longstanding collaborative festival between The Film Society of Lincoln Center and The Museum of Modern Art, screening March 24th-April 4th.


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Coming-of-age confusion in "The Evening Dress."

The Evening Dress (La Robe du soir)
(Myriam Aziza. 2009. France. 98 min.)

Best of New Directors/New Films: The Red Chapel

Kurt Brokaw reviews his favorites from the longstanding collaborative festival between The Film Society of Lincoln Center and The Museum of Modern Art, screening March 24th-April 4th.


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Farce of the highest order in "The Red Chapel." Photo by RenC Johannsen.

The Red Chapel
(Mads Brügger. 2009. Denmark. 87 min.)

Repression. Imprisonment. Extermination. North Korea’s shameful secret is its network of hidden rural prisons, where over a quarter million dissidents have been locked up to rot and die.

Best of New Directors/New Films: The Father of My Children

Kurt Brokaw reviews his favorites from the longstanding collaborative festival between The Film Society of Lincoln Center and The Museum of Modern Art, screening March 24th-April 4th.


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Director Mia Hansen-Love refracts the light of a fallen filmmaker in "The Father of My Children."

The Father Of My Children (Le père de mes enfants)
(Mia Hansen-Love. 2009. France/Germany. 110 min.)

Best of New Directors/New Films: Beautiful Darling

Kurt Brokaw reviews his favorites from the longstanding collaborative festival between The Film Society of Lincoln Center and The Museum of Modern Art, screening March 24th-April 4th.


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Candy Darling snags more than 15 minutes of fame in "Beautiful Darling."

Beautiful Darling: The Life and Times of Candy Darling, Andy Warhol Superstar
(James Rasin. 2010. USA. 86 min.)

Best of New Directors/New Films: The Man Next Door

Kurt Brokaw reviews his favorites from the longstanding collaborative festival between The Film Society of Lincoln Center and The Museum of Modern Art, screening March 24th-April 4th.


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<i>The Man Next Door</i> plays on fears of proximity.

The Man Next Door (El hombre de al lado)
(Mariano Cohn & Gastón Duprat. 2009. Argentina. 103 min.)

Advance Look at New Directors/New Films

Kurt Brokaw reviews his favorites from the longstanding collaborative festival between The Film Society of Lincoln Center and The Museum of Modern Art, screening March 24th-April 4th.


Candy Darling snags more than 15 minutes of fame in "Beautiful Darling."

True that The Independent is not in the habit of reviewing films, but we've got fresh talent on board with Kurt Brokaw, New School professor and 92Y teacher. He's watching all 38 films in the New Directors/New Films lineup and zoning in on the best of the fest exclusively for our readers.

For the past 38 years in Manhattan, The Film Society of Lincoln Center and The Museum of Modern Art have collaborated on an annual presentation of New Directors/New Films. This year's 27 features and 11 shorts, representing 20 countries, will screen at both locales between March 24th and April 4th.

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