Your space can be a coworking environment, a photo set, a venue for exhibitions, events, and installations. How do you decide what to host, and where is the thin line between curation and service?
Adatto is a very young project, and its direction is still taking shape, primarily through conversations with the people who are approaching our reality. We compare notes weekly on possibilities and evaluate proposals together as they arrive. To sustain the project economically, we offer services to brands and agencies that need a container, and we place these alongside cultural activities where Adatto becomes both curator and vehicle for the project. This is what is happening, and will continue to happen, with the exhibitions and community events planned for this year. For cultural programming, an added value is the network of relationships each of our practices brings. It allows us to collaborate with specific professional figures for every project, without pretending we already possess all of those skills in-house. We all live in different parts of the city, so we are discovering Viale Abruzzi month by month. It certainly has an active cultural and social landscape, perhaps even a little too elitist. We know we are operating inside a historic context, but we are not the only ones proposing something new. We are also building collaborations with other local initiatives in the neighborhood, with the aim of generating a positive impact. Our hope is to differentiate ourselves and establish Adatto as an open, welcoming space for young projects and professionals in the cultural and creative sector.
The project is a fusion of different practices, from creative direction to architecture, interiors, and photography. When skills add up, friction often appears too. What is the "good friction" that has made you better?
The good friction that improves us is constant and daily, and we call it dialogue—or simply, a constructive back-and-forth. That exchange was the seed of Adatto before Adatto even existed. However complementary our practices may be, we move at different project speeds. In photography and in creative direction, you often work with short- or midterm horizons. In architecture and design, you are often asked to hold a long-term vision. That difference has influenced us, and improved us, especially in the moments when we have worked on a joint project.